A review of the second theme song for the Monk detective series (2002–2009)
The Monk TV series is generally classified as a Police Procedural, Mystery, Comedy drama. It debuted July 12, 2002 on USA Network and continued for eight seasons. The final season concluded on December 4, 2009. Tony Shalhoub is excellent as the title character, Adrian Monk—a San Francisco Police detective who had to leave the force when his journalist wife was killed by a car bomb and he slid into Obsessive/Compulsive Disorder as a result. The show is now viewable in boxed sets, TV re-runs, and streaming on-line at https://www.peacocktv.com/watch-online/tv and other sites.
Jeff Beal wrote the incidental music for 122 of the show's 124 series episodes, but Beal’s and Randy Newman’s title theme songs for the show each won the Emmy Award for Outstanding Main Title Theme Music (2003 and 2004, respectively). Newman's song replaced Beal's after the first season, and there was a brouhaha about which one is better. I have heard both, and each is worthy of its honors, but....
I must say that Newman’s 2004 winner, It's a Jungle Out There, is especially gorgeous as a title theme for its video series. Not only is the jazzy tune memorable, but its edgy, halting tempo suits the title character’s manner. Also, the very nature of that musical genre makes its songs difficult to remember exactly, and that’s part of the point. (Jazz musicians don’t like to play the same song the same way over and over unless that’s what their paying customers insist on.)
Newman’s application of the same jazzy feel to his lyrics makes the theme even more attractive—at least to me. As a series theme song, its words mirror or foreshadow both the title character and the scripts at every turn but without giving the plot away:
It's a Jungle Out There, © Randy Newman, Title song for the Monk detective TV series, lyrics from https://www.randynewman.com/albums/dark-matter/.
It’s a jungle out there
Disorder and confusion everywhere
No one seems to care
Well, I do
Hey! Who’s in charge here?
It’s a jungle out there
Poison in the very air we breathe
You know what’s in the water that you drink?
Well I do
And it’s amazing
People think I’m crazy
‘Cause I worry all the time
If you paid attention, you’d be worried too
You better pay attention or this world we love so much
Might just kill you
I could be wrong now
But I don’t think so
‘Cause it’s a jungle out there
It’s a jungle out there
For the second verse, the musical key bumps up to suggest a more strident, urgent mood:
Its a jungle out there
Violence and danger everywhere
It’s brother against brother
Pounding on each other
Like they were millionaires
It’s a jungle out there
It’s a jungle in here too
They got a tap right on your phone
Got microphones and cаmегаs
Checking out everything you do
Call it paranoia
But as the saying goes
Even paranoids have enemies
I’m not the one who’s crazy
I’m not afraid of them
They’re afraid of you and me
I could be wrong there
But I don’t think so
‘Cause its a jungle out there
It’s a jungle out there
I haven't seen every episode but as far as I know, the show always opens with Beal’s or Newman’s title theme depending on when it first aired. So, Monk plays mostly Newman’s first verse. That’s probably a good thing because the third stanza of his second verse is almost a spoiler. His Dark Matter album’s instrumental bridge between the second and third verses is great, but I’m not musical enough to say why.
Despite all of that analysis and praise, I’ll say Newman’s third verse is more like a coda with problems. Its lyric does not much mirror or foreshadow characters or scripts, or even give them a good wrap-up. It seems to be almost an afterthought:
It’s a jungle out there
Even the cops are scared today
So if you see a uniform
Do exactly what they say
Or make a run for it
I’m only kidding with you
‘Cause its a jungle out there
It’s a jungle out there
Cops in the Monk series are not scared, but that is part of its genre: The authorities—especially the regular cops (Captain Leland Stottlemeyer and Lieutenant Randy Disher) are concerned, competent, and brave, but actors Ted Levine and Jason Gray-Stanford, respectively, must play their roles as sometimes-confused third bananas to Adrian Monk’s first banana. Clearly, Monk is the one who is scared—until he seizes on a clue and focuses on following where it leads. When that trail hits a snag, though, he eases back into scared until the next clue or insight appears.
I could be wrong there, but I don’t think so.
This series and all of its music are a fine integrated product, but I'd like to replace Newman's coda and fix its problems, so I propose a different final verse which I’ll perfect and post someday. ...I already have the last two lines.